- BLAST FROM THE PAST (DVD MOVIE)
The Devil's never been so hot or hilarious! Brendan Fraser is a hapless, love-starved computer technician who falls prey to sinfully sexy Elizabeth Hurley when he agress to sell her his soul in exchange for seven wishes. But the sly Princess of Darkness has more than a few tricks up her... sleeve. And before you can say Fire and Brimstone, Elliot's life becomes a hysterical hell on earth.Brendan Fraser stars in
Bedazzled as Elliot, a dweebish office worker who yearns for Alison (played by Frances O'Connor from
Mansfield Park), a coworker who barely knows he exists. When he blithely says he'd give his soul for Alison, the Devil appears (Elizabeth Hurley,
Austin Powers) and says she'll give him seven wishes in exchange. Elliot is dubious at first, but agrees out of desperation. Unfortunately, his every wish always leaves the Devil a ! little wiggle room. When he asks to be rich and powerful, the Devil turns him into a drug lord beset on all sides. When he asks to be a successful, well-endowed writer, the Devil adds a male lover to the mix. The setup and situations are clever, though
Bedazzled doesn't delve into any real moral or theological questions and has a little less bite than the original it's based on (from 1968, starring Dudley Moore and Peter Cook). But it does provide some better comic substance than Fraser has had in most of his previous roles (
George of the Jungle,
Encino Man). Fraser demonstrated in
Gods and Monsters that he could hold his own dramatically with the likes of Brit thespian Ian McKellen, and he's consistently been a charming presence in movies enjoyable (
The Mummy) and not so enjoyable (
Dudley Do Right).
Bedazzled may not give him any more movie-making clout, but it does give his fans something to enjoy. O'Connor is e! ntirely pleasant in her largely straight role, and Hurley fil! ls out h er part by delectably filling out a number of revealing outfits. An enjoyable bit of froth.
--Bret FetzerStanley (Moore) is a hapless short-order cook who is hopelessly in love with a waitress named Margaret (Eleanor Bron) - although she barely knows he's alive. Enter George Spiggott (Cook), a.k.a. Satan, who grants Stanley seven wishes in order to win Margaret over, but his efforts are hilariously hampered by the Seven Deadly Sins - including the insatiable Lilian Lust (Raquel Welch)!When the Devil (Peter Cook) offers suicidal short-order cook Stanley (Dudley Moore) seven wishes, Stanley easily surrenders his soul. All of his wishes are granted, to the letter. Unfortunately, as each wish comes to life, the Devil--cheeky sod!--manages to slip some unexpected problem into the mix, ruining everything in a deliciously funny way.
Bedazzled was made long before
10 and
Arthur made Dudley Moore an unlikely movie star. It's a much purer expression of the! off-kilter British humor that Moore and his writing partner Cook pioneered, humor that would lead to
Monty Python's Flying Circus and other absurdist goofballs. Moore is charming enough, but what really makes
Bedazzled work is Cook, who combines upper-class arrogance with a cheerful, even casual lunacy. Though he played character roles in movies like
The Princess Bride and
Black Beauty, he was never able to parlay his sneaky sense of humor into starring roles.
Bedazzled is his outstanding triumph. Not only does the movie offer some sly commentary on Christian morality, it has a cameo with Raquel Welch as the embodiment of Lust. A classic.
--Bret FetzerDisc 1: BEDAZZLED '67 Disc 2: BEDAZZLED '00Brendan Fraser stars in
Bedazzled as Elliot, a dweebish office worker who yearns for Alison (played by Frances O'Connor from
Mansfield Park), a coworker who barely knows he exists. When he blithely says he'd give his soul for! Alison, the Devil appears (Elizabeth Hurley,
Austin Power! s) a nd says she'll give him seven wishes in exchange. Elliot is dubious at first, but agrees out of desperation. Unfortunately, his every wish always leaves the Devil a little wiggle room. When he asks to be rich and powerful, the Devil turns him into a drug lord beset on all sides. When he asks to be a successful, well-endowed writer, the Devil adds a male lover to the mix. The setup and situations are clever, though
Bedazzled doesn't delve into any real moral or theological questions and has a little less bite than the original it's based on (from 1968, starring Dudley Moore and Peter Cook). But it does provide some better comic substance than Fraser has had in most of his previous roles (
George of the Jungle,
Encino Man). Fraser demonstrated in
Gods and Monsters that he could hold his own dramatically with the likes of Brit thespian Ian McKellen, and he's consistently been a charming presence in movies enjoyable (
The Mummy) and n! ot so enjoyable (
Dudley Do Right).
Bedazzled may not give him any more movie-making clout, but it does give his fans something to enjoy. O'Connor is entirely pleasant in her largely straight role, and Hurley fills out her part by delectably filling out a number of revealing outfits. An enjoyable bit of froth.
--Bret FetzerWhen the Devil (Peter Cook) offers suicidal short-order cook Stanley (Dudley Moore) seven wishes, Stanley easily surrenders his soul. All of his wishes are granted, to the letter. Unfortunately, as each wish comes to life, the Devil--cheeky sod!--manages to slip some unexpected problem into the mix, ruining everything in a deliciously funny way.
Bedazzled was made long before
10 and
Arthur made Dudley Moore an unlikely movie star. It's a much purer expression of the off-kilter British humor that Moore and his writing partner Cook pioneered, humor that would lead to
Monty Python's Flying Circus and other ! absurdist goofballs. Moore is charming enough, but what really! makes < I>Bedazzled work is Cook, who combines upper-class arrogance with a cheerful, even casual lunacy. Though he played character roles in movies like
The Princess Bride and
Black Beauty, he was never able to parlay his sneaky sense of humor into starring roles.
Bedazzled is his outstanding triumph. Not only does the movie offer some sly commentary on Christian morality, it has a cameo with Raquel Welch as the embodiment of Lust. A classic.
--Bret FetzerBrendan Fraser stars in
Bedazzled as Elliot, a dweebish office worker who yearns for Alison (played by Frances O'Connor from
Mansfield Park), a coworker who barely knows he exists. When he blithely says he'd give his soul for Alison, the Devil appears (Elizabeth Hurley,
Austin Powers) and says she'll give him seven wishes in exchange. Elliot is dubious at first, but agrees out of desperation. Unfortunately, his every wish always leaves the Devil a little wiggle room. When ! he asks to be rich and powerful, the Devil turns him into a drug lord beset on all sides. When he asks to be a successful, well-endowed writer, the Devil adds a male lover to the mix. The setup and situations are clever, though
Bedazzled doesn't delve into any real moral or theological questions and has a little less bite than the original it's based on (from 1968, starring Dudley Moore and Peter Cook). But it does provide some better comic substance than Fraser has had in most of his previous roles (
George of the Jungle,
Encino Man). Fraser demonstrated in
Gods and Monsters that he could hold his own dramatically with the likes of Brit thespian Ian McKellen, and he's consistently been a charming presence in movies enjoyable (
The Mummy) and not so enjoyable (
Dudley Do Right).
Bedazzled may not give him any more movie-making clout, but it does give his fans something to enjoy. O'Connor is entirely pleasant in her ! largely straight role, and Hurley fills out her part by delect! ably fil ling out a number of revealing outfits. An enjoyable bit of froth.
--Bret FetzerStudio: New Line Home Video Release Date: 11/09/2010Coasting on the successes of
Gods and Monsters and
George of the Jungle, Brendan Fraser turns in yet another winning performance in this fish-out-of-water comedy in which Pleasantville meets modern-day Los Angeles, with predictably funny results. Fraser stars as Adam, who was born in the bomb shelter of his paranoid inventor dad (a less-manic-than-usual Christopher Walken), who spirited his pregnant wife (Sissy Spacek, in fine comic form) underground when he thought the Communists dropped the bomb (actually, it was a plane crash). Armed with enough supplies to last 35 years, the parents bring up Adam in
Leave It to Beaver style with nary any exposure to the outside world. When the supplies run out, and dad suffers a heart attack, Fraser goes up to modern-day L.A. for some shopping and long-awaited culture shock. Mor! e of a cute premise with lots of clever ideas attached than a fully fleshed out story,
Blast from the Past is also supposed to be part romantic comedy, as the hunky Adam hooks up with his jaded Eve (Alicia Silverstone) and tries to convince her to marry him and go underground. The sparks don't fly, though, because Silverstone is saddled with the triple whammy of being miscast, playing an underwritten character, and suffering a very bad hairdo. Fraser, however, carries the film lightly and easily on his broad, goofy shoulders, mixing Adam's gee-whiz innocence with genuine emotion and curiosity; only Fraser could pull off Adam's first glimpse of a sunrise or the ocean with both humor and pathos. Also winning is Dave Foley as Silverstone's gay best friend, who manages to make the most innocuous statements sound like comic gems.
--Mark Englehart
